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Votive

by Paul Seeba

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1.
Astronaut 04:43
Astronaut. Paul Seeba Ahh, ah, ah, ah (counterpoint melody) Under my left breast pocket, despite what you may think There’s a heart that beats and is as real as the sun is real to me And under the other pocket is a voice that says it can’t be Tells me when the things aren’t as they really seem I didn’t go carefully to that night, I felt just like a broken clock Thought the candle in your window flickered and went out And if I was an astronomer I’d find constellations I could make ‘em up and go down in history And if I were an astronaut - would have shot the moon to be with you And if I were an astronaut - would have shot the moon to be with you Two worlds collide, I guess that’s how it seems I’ll leave the details for the lawyers to figure all what that means And I don’t know much religion, I just know what I think But no preacher would ever let me sink And if the universe unfolds the way it always should, well you and I - it’d be understood And if I was an astronomer I’d find constellations I could make ‘em up and go down in history And if I were an astronaut - would have shot the moon to be with you And if I were an astronaut - would have shot the moon to be with you Musical break (key change) Euphonium solo Ahh, ahh, ahh ahh, ah (counterpoint) If I were an astronaut ah, ahh, ahh
2.
Haiku for You Paul Seeba When the rooster crowed at the moon, Thought we might be a little out of tune Heard the wolf howling at the sun, I knew that day our time had come I didn’t know what to do So I wrote haiku for you When the night was cold and storming, you were there I was adoring We stood there under my umbrella, so many things I couldn’t tell ya When I knew that we were through, I wrote a haiku for you Now I’m gonna cry myself to sleep, with thoughts that I couldn’t keep A distant memory Now I’m gonna cry myself to sleep, with promises I couldn’t keep Just like I’m seventeen When you left on that lonesome plane, ticket I found showed you were going to Spain But you called me up from the Yukon, you’re all messed and too far gone So I just sit here feeling blue And wrote haiku for you Now I’m gonna cry myself to sleep, with thoughts that I couldn’t keep A distant memory Now I’m gonna cry myself to sleep, with promises I couldn’t keep Just like I’m seventeen Now I’m gonna cry myself to sleep, with promises I couldn’t keep Just like I’m seventeen
3.
Love & Hate 04:07
Love and Hate Paul Seeba Cops eat doughnuts and teachers eat apples I got a story that neither could grapple Some adults need a damn good paddle When they’re all hat, they ain’t got no cattle Bonnie and Clyde, they don’t fit the story No one’s going out in a blaze of glory Just two hearts trying to do what’s right Do anything to avoid a fight Rosary beads and switchblades, Gentle breeze and a hurricane Firelight and firestorm And I can’t wait, to learn a little bit more about love and hate Love and hate, and the yin and the yang I know they ain’t exactly the same thing But they hang together every once in awhile One’s got a frown and the other a smile They don’t always need to make sense You don’t believe me just remember this Oedipus had a thing for his mother Caine went and took a knife to his brother White dove and a skull and bones, olive branch and the nuclear codes Firelight and firestorm And I can’t wait, to learn a little bit more about love and hate Sometimes you’ll want to leave it all alone When you’re crying out a river over the phone When you finally find her heart has turned to stone And you find out that you’re out in that great unknown Yesterday when the world was so small So small it fits onto a page When each day becomes a yesterday I’ll take whatever comes my way
4.
Johnny Paycheck Paul Seeba Buckshot on a highway sign, broken glass on the side of the road Midnight shift came in hard tonight, Small protest from a one man show When he bust through the door, didn’t know where to start Like the Tin man of old, he thought he lost his heart Gonna have it out with the boss, the company’s gain and his loss Wasn’t a job that most would covet Americans would say leave it or love it When he finally just had enough of it Johnny Paycheck never got to say shove it So they fired Johnny Paycheck today Now that everyone’s been globalized, everybody’s been all downsized He paid his dues, but there wasn’t no union No one to talk to, they’re off telecommuting When they said hey we still need ya, just gotta move to Indonesia Wasn’t a job that most would covet Americans would say leave it or love it When he finally just had enough of it Johnny Paycheck never got to say shove it So they fired Johnny Paycheck today (2x) You could blame his father, blame his mother Blame the immigrants, blame the other But he didn’t go postal or get enraged He just filled out his card for his backpay So there’s an unemployment check for Johnny Paycheck There’s an unemployment check for Johnny Paycheck And the company well they done their part Like the Tin man of old he finally lost his heart Like the Tin man of old he finally lost his heart
5.
Evil 04:17
Evil Paul Seeba I think I know your heart and where it’s been I think I know all of the myths we spin Think I know some of this world we’re shown It becomes clear as the evil that I have known The evil I have known If angels are watching over us Then why the stories that shocks the conscience In time, you’ll find Evil that I’ve known If peace and love ain’t the only motive Why bother with the candle votives In time, you’ll find The evil that I’ve known In time child, you’ll find wild Evil that I’ve known And Love, where did it go? (3x) I don’t know, I don’t know. Think I know my heart and where its been Think I know all of the myths I spin Think I know the world I’m shown It becomes clear as the evil that I’ve known The evil that I’ve known
6.
One Horse Town Paul Seeba You were a comedy, wrapped in a melody You were the peach that hung upon the lemon tree But they chased you out and they cut you down You ran off with the horse from a one horse town You’re a yellow tulip in an orange vase The only thing with color in a colorless place You’re a flower growing out of a stone Saw shooting stars in the dark all alone So if you want it you’re in that Shakespeare sonnet now Leaving that one horse town At the table you’re part of an Aesop fable now Leaving that one horse town Right now, leaving that one horse town You were the magic trick they couldn’t figure out The only one that knew what the songs were about But they chased you out and they cut you down You ran off with the horse from a one horse town So if you want it, you’re in that Shakespeare sonnet now Leaving that one horse town Sitting at the table, you’re part of an Aesop fable now Leaving that one horse town Right now, leaving that one horse town
7.
Irish Goodbye Paul Seeba When California, floats off into the sea And becomes one island nation like the Irish used to be In Capistrano, when the swallows have returned, I’ll sit down and figure out just all that I have learned I ain’t too proud to say that I’m afraid of the sea So I am gonna find that girl who’ll sit and watch the ocean with me I’ve flown too close to the sun and seen its raging heat So I am gonna find that girl who’ll watch the sun go down with me Yesterday, when you couldn’t look away The moon was full and yellow, there was stardust in your eyes You wanted sunrise and you wanted sunset, But a cloudy dusk to dawn was all you’d ever get When St. Patrick drove the serpents into the sea It didn’t change the clock that’s on the wall for you and me I’ve walked the Cliffs of Moher, seen spirits in the sky Before I run out of time here’s my Irish Goodbye When St. Patrick drove the serpents into the sea It didn’t change the clock that’s on the wall for you and me I’ve walked the Cliffs of Moher, seen spirits in the sky Before I run out of time here’s my Irish Goodbye
8.
Correction Lines Greg Tiburzi To get there from here, the road ain’t straight It weaves behind moraines and some pothole lakes He slows to 25, takes a sharp right Then he hangs a left, with the pines in his brights And they’re writing Correction lines again From the soft narrow shoulder To the place where they cross over Into the cattail swamps, where the relationship lies Poles apart Slowly losing the art of compromise There’s a dashboard glow, his face turns blue Heartache in a bag, crumpled up between the two A silent night, staring straight ahead Leftover fires, some things never said And they’re writing Correction lines again From the soft narrow shoulder To the place where they cross over Into the cattail swamps, where the relationship lies Poles apart Slowly losing the art of compromise The road to love, is give and take They lay out their crooked lives their sections make Picking up the chain and laying it down Accept the pain again and turn, turn around And they’re writing Correction lines again From the soft narrow shoulder To the place where they cross over Into the cattail swamps, where the relationship lies Poles apart Slowly losing the art of compromise
9.
Sealegs Paul Seeba Traveling through the Macaw Nation Inside a reservation where the smoked salmon gets in your eyes I’m standing at the Marina I wished you could have seen her Her smile was beaming from eye to eye She handed me a coffee cup an hour before the sun came up We paid the skipper and he took us for a ride Saltwater came a-lashing, the big waves came a-crashing Into that tiny boat that’s keeping me alive (Chorus) Skipper yelling “fish on.” I was thinking how long I’’l be in this sorry state today Skipper yelling “fish on” I was thinking how come I ain’t got no sealegs today I’m watching the water with my eyes and Trying to focus on the horizon That Marina seemed a million miles away Hoping for the Coastguard, but I’d take any lifeguard Who’d save me from the big, blue sea I remembered about the Sloop John And how the things had gone all wrong Wondering if my fate was gonna be the same Trying hard not to panic, I know it ain’t Titanic But am I gonna wind up in the big, blue sea Chorus Tiny Ships Paul Seeba The Valdez set sail under red skies that night Prince William Sound was calm Seagulls were in flight under an Alaskan midnight All the salty dogs are leaving town The month was in June after the irises bloom And Iris stood on the shore and said I don’t love you anymore It’s either heartbreak by land or shipwreck by sea And a sailor’s wife is no life, A sailor's wife it’s no life for me As she took off her ring he said let me make this right Give me 26 more days and 27 nights 26 more days and 27 nights She said oh no, oh no in the darkness of waters the blue waters glow She said oh no, oh no in the deepest of waters the clear water flows And who know what’s buried in the waters beneath Who knows the secrets the deep waters keep Is it a toxic mess they’re trying to hide Is it a body they don’t want you to find So Iris wrote her Dear John letter that night She wrote just like it was a poem I hope you find fair winds and safe harbors my love Wherever it is that you roam And if Shackleton could escape that frozen Southern ice I know you’ll find your ocean paradise But squalls as tall as Niagara Falls couldn't chase away my pain Couldn’t crush my lonesome pain A sailor’s wife is no life for me It’s just tiny ships in a bottle and a message from the sea She said a sailor’s wife is no life for me It’s just tiny ships in a bottle and a message from the sea And who know what’s buried in the waters beneath Who knows the secrets the deep waters keep Is it a toxic mess they’re trying to hide Is it a body they don’t want you to find
10.
Underwater Votive Paul Seeba When you wish upon a star, in the darkness of the night That starlight beaming out left during someone else’s life And I get my wisdom from bumper stickers And other free advice So I still don’t the difference between an offering and a sacrifice But I know if you throw coin into the wishing well The dream sometimes comes true And the genie will go back in the bottle If she really wants to When there’s fire inside the ocean Flames under the sea And underwater votive don’t seem impossible to me You can pray to your patron saint For a vow that won’t grow old You can sell your soul to the devil For a promise wrapped in gold But an underwater votive Is something you might doubt You just need a little submarine And birthday candles that won’t blow out When there’s fire inside the ocean Flames under the sea And underwater votive don’t seem impossible to me

about

Liner Notes:

Astronaut - An interstellar love song that might help you get in touch with the cosmos (or at least a planetarium). It was initially called “Shoot the Moon.” I found a new chord change and a different tuning, changed the key of the song and moved some pieces around. The intro is sung by my daughter, Lila.

Haiku for You - I wrote this in August of 2020 as I was alone in a 2 star hotel near Duluth, MN. I had chauffeured my kid and her high school buddies up to a cabin that they spent a couple nights at right after their Senior year in high school. Was trying to think of something I could offer them as I know their final year (and every 2020 Senior) was disrupted by the pandemic.

Love and Hate - There is a melody and some stories behind one of the oldest dichotomies known to the human race, referencing ancient Greece and a familiar Biblical narrative.

Johnny Paycheck - Growing up in a mining community near Canada left me with the impressions that the current country music scene doesn’t really speak to the economic issues confronted by working people. Country music did have that message when I was a boy in the 1970’s.

Evil - I began to write this in 2018 when I heard about the Parkland shootings in Florida on the news. As a high school history teacher who processed this and every other school shooting story back to Columbine with students (and my own kids) I related on multiple sad levels. The lyrics are impressionistic, but these events moved me to write this.

One Horse Town - I loved growing up in a small town. Johnny Cougar celebrated it well, but there can also be stifled moments when a person feels the need to move on and that is the theme with this one.

Irish Goodbye - They say a Minnesota goodbye can take ½ hour, but I have been abrupt with mine. I was diagnosed with colon cancer in 2016 and was put in a very reflective state of mind. I know it is cliche to say that cancer patients gain clarity on what matters most in life, but I think anyone does when confronted with their own mortality. I have been fortunate to have fully recovered, but this is what I felt when I went through that.

Correction Lines - This was written by my good friend, Greg Tiburzi. Like me, he grew up in Hibbing, Minnesota. Tiburzi’s stuff is so good it reminds me that there has always been great undiscovered art for ages.

Sealegs - Based on a true story. I spent a day being seasick in the bilge of a small fishing
vessel in the Pacific Ocean. I wasn’t alone as another guy was sick too. Our wives spent the
day catching salmon, but it was one of the roughest days our seaworthy captain had seen.
I think we caught a break and came back alive from what he called, “very confused water.”

Tiny Ships - This is the only waltz I have ever written. The main character, Iris, decides that
despite having deep love for her man his inability to be present in her life is not worth continuing
the relationship even though she knows ending it will bring her heartbreak.

Underwater Votive - Candles have always fascinated me. They have a timeless spirituality that
can’t be denied. Votives can be an offering or a sacrifice made with the hope of making things
better. If you can pull off a submerged candle for hope then nothing seems out of the question.

credits

released February 6, 2022

Musicians/Production on Votive:

Drums: Rob Klaysmat & Greg Tiburzi
Bass: Krys Baratto, Rod Tahija, Rich Mattson & Bob Seeba
Brass: Steve "Boatman" Lah
Vocals: Paul & Lila Seeba
Guitars: Paul Seeba with Chris Bruhjell (Johnny Paycheck lead) & Rod Tahija (One Horse Town lead)

Produced by Rich Mattson at Sparta Sound in Eveleth, MN
Mastered by Tom Garneau at Audioactive in Minneapolis, MN
Cover Art by Mira Seeba at Pratt Institute in Brooklyn, NY

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Paul Seeba Minnesota

Paul Seeba's debut album, "Mitchell Yards," was the soundtrack for a PBS documentary that received a regional Emmy. His sound straddles the lines of indie, rock, folk & country. Seeba’s lyrics often reflect the heritage of growing up in the mining town of Hibbing, Minnesota. Despite growing up a few blocks from the boyhood home of Dylan, his first musical heroes came from the UK and Ireland. ... more

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